Ichikawa Yaozo II as Soga no Goro

Executed in the ukiyo-e tradition, the print features Shunshō's mastery of color and composition. The use of white face paint, bold black eyeliner, and vibrant textiles (red sleeves, striped skirt) against a presumably simple background (not described) showcases the artist's emphasis on the performer's presence.

Created around 1774, the print is now part of The Cleveland Museum of Art's collection. Specific details about its creation context or previous ownership are not provided.

This work reflects 18th-century Japan's flourishing kabuki theater and the popularity of actor prints (yakusha-e), which catered to the growing urban audience's interest in theatrical arts.

As a representative of Shunshō's oeuvre, it contributes to the historical record of kabuki's golden age and the evolution of ukiyo-e, influencing subsequent generations of Japanese printmakers.