Large Resurrection (Grosse Auferstehung)

Lehmbruck employed dry‑point, a intaglio method in which a sharp needle incises lines directly onto a copper plate. The resulting burr produces bold, sketch‑like strokes and a rich, velvety texture. Minimal shading and the prominence of line give the figures a sense of immediacy and kinetic energy, aligning the print with the artist’s expressionist leanings.

The proof was executed shortly before Lehmbruck’s shift toward more abstracted sculpture, marking a rare foray into printmaking for the artist. While primarily a sculptor, he produced only a limited number of prints; this piece remains documented in several European museum collections, reflecting its role in tracing his interdisciplinary practice.