Who painted Allegory of Fortitude (?)?

Allegory of Fortitude (?) was painted by Master of 1515 in 1518.

Where can I see Allegory of Fortitude (?)?

Allegory of Fortitude (?) is held by National Gallery of Art.

What movement is Allegory of Fortitude (?)?

Allegory of Fortitude (?) is associated with Renaissance.

Artwork

Allegory of Fortitude (?)

Master of 1515 , 1518

Allegory of Fortitude (?) is an ink print by the Renaissance artist Master of 1515. It dates from 1518 and is held in the collection of the National Gallery of Art.

About this work

Overview

Allegory of Fortitude, an engraving dating from around 1518, is attributed to the anonymous figure known as the Master of 1515. Executed in the fine line work typical of early sixteenth‑century printmaking, the image presents a compact urban tableau that blends architectural fantasy with symbolic figures, inviting viewers to contemplate its narrative content.

Subject & Meaning

The composition centers on a tranquil rider astride a horse positioned on a rooftop, while beneath him a partially concealed woman lies on the ground, overlapped by the massive form of a lion. The juxtaposition of the calm rider, the vulnerable female figure, and the powerful animal suggests an allegorical exploration of strength, protection, and perhaps the triumph of fortitude over chaos.

Technique & Style

This meticulous line work reflects the broader Renaissance print tradition, wherein engravers sought to convey depth and texture without the use of colour.

Rendered through delicate, intersecting lines, the engraving achieves a nuanced sense of volume and shadow. The artist employs hatching and cross‑hatching to model the figures and the ornate architectural elements, such as elaborately carved columns and stylized faces peering from windows. This meticulous line work reflects the broader Renaissance print tradition, wherein engravers sought to convey depth and texture without the use of colour.

History & Provenance

Created circa 1518, the print is linked to the Master of 1515, a workshop active in the early sixteenth century whose identity remains uncertain. The work has circulated among European collections of Renaissance prints, though specific ownership records are sparse. Its survival in good condition allows contemporary scholars to examine the stylistic traits associated with the Master’s oeuvre.