Artwork
Remains of a figure from Santa Maria de Taüll

Remains of a figure from Santa Maria de Taüll is an unspecified painting by Master of the Day of Judgement. It dates from 1123 and is held in the collection of the Museu Nacional d'Art de Catalunya. Created in 1123, this fragment of a religious painting originates from the church of Santa Maria de Taüll.
About this work
Overview
Created in 1123, this fragment of a religious painting originates from the church of Santa Maria de Taüll. Executed by the anonymous Master of the Day of Judgement, the work now belongs to the collection of the Museu Nacional d'Art de Catalunya. Only a portion of the original composition survives, displaying the head and upper torso of a solitary figure.
Subject & Meaning
The surviving figure appears to be a clerical or saintly personage, identifiable by the liturgical robe and the object held in the hand, likely a symbolic implement such as a crozier or book. The emphasis on the eyes and eyebrows suggests an intention to convey spiritual focus and inner contemplation, typical of Romanesque devotional imagery.
Technique & Style
The artist rendered the face with a restrained yet expressive approach, using simplified lines to accentuate the gaze and brow. The garment is adorned with intricate, linear patterns that contrast with the muted, flat background, a common device in early 12th‑century Catalan painting to isolate the figure and draw attention to its sanctity.
History & Provenance
Originally part of the fresco program of Santa Maria de Taüll, the panel was detached and later entered the national museum’s holdings. Its attribution to the Master of the Day of Judgement rests on stylistic parallels with other dated works from the same period, situating it within the broader Romanesque artistic production of the Pyrenees.
Artist & collection
Artist
Master of the Day of Judgement
This anonymous painter from medieval Spain decorated the walls of Santa Maria de Taüll with bold, flat figures and patterned designs.














