Artwork
Saint Nicholas from Santa Maria de Taüll

Saint Nicholas from Santa Maria de Taüll is an unspecified painting by the Byzantine icon painting artist Master of the Day of Judgement. It dates from 1123 and is held in the collection of the Museu Nacional d'Art de Catalunya.
About this work
The style of this painting is reminiscent of the work of the Master of the Day of Judgement, who was active in the early 12th century.
This painting depicts a saint in a colorful robe, standing in front of a striped background. The saint is holding a book and wearing a halo, with a serious expression on his face. The background features a series of horizontal stripes in shades of red, blue, and yellow.
The painting is quite old and has suffered some damage over time, with parts of the surface flaking off. Despite this, the colors and details of the saint's robe and face are still clearly visible.
The style of this painting is reminiscent of the work of the Master of the Day of Judgement, who was active in the early 12th century.
Overview
Created in 1123, this panel painting portrays Saint Nicholas and is attributed to the anonymous figure known as the Master of the Day of Judgement. The work now belongs to the collection of the Museu Nacional d'Art de Catalunya, where it is displayed as an example of early Romanesque devotional art.
Subject & Meaning
The figure is identified as Saint Nicholas, a bishop celebrated for his generosity and miracles. He is shown holding a book, a symbol of his ecclesiastical authority, and is crowned with a golden halo that marks his sanctity. His solemn expression reflects the reverent tone typical of saintly portraits of the period.
Technique & Style
Rendered in tempera on a wooden panel, the composition features a vivid, multi‑coloured robe against a background of horizontal bands in red, blue and yellow. The bold striping and flat modelling of forms echo the stylistic conventions of the Master of the Day of Judgement, whose work is characterized by strong outlines and a limited spatial depth.
History & Provenance
Originally part of the liturgical furnishings of the church of Santa Maria de Taüll in the Pallars region, the panel survived the dissolution of the monastery and entered the national museum’s holdings in the early 20th century. Despite centuries of exposure, the surface shows areas of flaking, yet the original pigments and details of the saint’s visage remain discernible.
Artist & collection
Artist
Master of the Day of Judgement
This anonymous painter from medieval Spain decorated the walls of Santa Maria de Taüll with bold, flat figures and patterned designs.










