Artwork
Vom Tode I, (Opus II, 1889) No. 4
Vom Tode I, (Opus II, 1889) No. 4 is a print by the Impressionist artist Max Klinger. It dates from 1889 and is held in the collection of the Cleveland Museum of Art. Vom Tode I, (Opus II, 1889) No.
About this work
Overview
Vom Tode I, (Opus II, 1889) No. 4 is a print created by German artist Max Klinger in 1889, characteristic of his work within Symbolism, Vienna Secession, and Jugendstil movements.
Subject & Meaning
The print depicts a serene yet somber scene: a lone figure sits hunched on a small bridge over a shallow stream, while another lies nearby on the ground. The imagery conveys a contemplative, possibly mournful atmosphere.
Technique & Style
Klinger employed sharp lines and deep shadows to achieve a moody, dreamlike quality. A border framing the image creates a 'window into another world' effect, enhancing the sense of depth and isolation.
History & Provenance
Part of Klinger's extensive graphic output, this work is contemporaneous with his notable series *Paraphrase on the Finding of a Glove*. Specific provenance details are not provided.
Context
Created during Klinger's association with Symbolism and Jugendstil, the print reflects the era's emphasis on emotional depth and stylized forms, aligning with the artist's broader exploration of symbolism in his oeuvre.
Artist & collection
Artist
Max Klinger (18 February 1857 – 5 July 1920) was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise articulating his ideas on art and the role of…
Landscape at Bouleaux
Landscape with Birch Trees (Le Paysage aux Bouleaux)
Landscape with Birch Trees (Le paysage aux bouleaux)
Deer in the Woods (Les Cerfs sous bois)
In the Woods
Guard House
An Unknown
Siesta in the Country (Sieste dans la capagne)
Le Bas Bréau
Un Cimetière en Galicie
Untitled
Vom Tode I, (Opus II, 1889) No. 8