With the naked eye

May employs loose, fluid washes to suggest form and movement, reserving detail for the central figures. The men’s clothing is rendered with subtle contrasts—checkered fabric and a red vest stand out against muted grays and browns of the surroundings. Minimal line work defines features, while the background dissolves into soft, atmospheric tones, directing focus to the interaction between the two figures.

The work entered the Victoria and Albert Museum’s collection following May’s death in 1903, as part of a broader acquisition of his drawings and watercolours. It was likely produced during his active years as a social observer and illustrator, reflecting his reputation for capturing candid moments of public life. The piece remained in private hands before institutional acquisition.

May worked during a period when urban life was rapidly changing in Britain, with growing crowds and shifting social dynamics. His watercolours often depicted street scenes, railway stations, and public gatherings, offering quiet commentary on class and anonymity. This piece fits within a tradition of British genre painting that valued observation over drama.

Though not widely exhibited today, May’s watercolours remain valued for their sensitivity to everyday detail. His ability to convey mood with minimal means influenced later illustrators and documentary artists. 'With the naked eye' exemplifies his commitment to portraying the unnoticed rhythms of city life, preserving a quiet dignity in ordinary encounters.