Artwork
Inconvènient d'être trop sentimental ...

Inconvènient d'être trop sentimental ... is an ink print by the Romanticist artist Honoré Daumier. It dates from 1848 and is held in the collection of the National Gallery of Art.
About this work
Overview
Honoré Daumier’s lithograph titled *Inconvenient d’être trop sentimental* presents a satirical scene populated by two gentlemen in formal attire.
Honoré Daumier’s lithograph titled *Inconvenient d’être trop sentimental* presents a satirical scene populated by two gentlemen in formal attire. The composition juxtaposes a barefoot figure with an exaggerated, comic expression against a companion partially obscured by a stone, all set within a backdrop of foliage and masonry. The work employs a cartoonish visual language to critique pretentiousness and social affectation.
Subject & Meaning
The print depicts a pair of men in suits and top hats, one absurdly barefoot and contorted, the other hidden behind a stone slab. Their distorted physiognomies and theatrical poses suggest a parody of self‑importance, implying that excessive sentimentality or seriousness can render individuals vulnerable to ridicule. The surrounding natural and architectural elements frame the scene without detracting from its moral commentary.
Technique & Style
Executed in lithography, Daumier utilizes the medium’s capacity for bold line work and tonal variation to achieve a flat, graphic quality reminiscent of early cartoons. The exaggerated features and simplified forms are characteristic of his satirical oeuvre, where the immediacy of printmaking allows for rapid dissemination of social critique. The lithographic process also preserves the spontaneity of his sketchy drawing style.
History & Provenance
Created during Daumier’s prolific period of social caricature in the mid‑19th century, the lithograph was likely produced for a contemporary newspaper or pamphlet audience. While specific ownership records are scarce, the work has appeared in several catalogues of Daumier’s prints and is held in public collections that specialize in French graphic art, reflecting its continued relevance to studies of political satire.
Artist & collection
Artist
Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.



















