Who painted Henry Rich, First Earl of Holland?

Henry Rich, First Earl of Holland was painted by Willem de Passe in 1618.

Where can I see Henry Rich, First Earl of Holland?

Henry Rich, First Earl of Holland is held by National Gallery of Art.

What movement is Henry Rich, First Earl of Holland?

Henry Rich, First Earl of Holland is associated with Renaissance.

Artwork

Henry Rich, First Earl of Holland

Willem de Passe , 1618

Henry Rich, First Earl of Holland is an ink print by the Renaissance artist Willem de Passe. It dates from 1618 and is held in the collection of the National Gallery of Art.

About this work

Overview

The composition functions as a visual record of status and honor, typical of early‑seventeenth‑century portrait prints.

Willem de Passe’s 1618 engraving portrays Henry Rich, the first Earl of Holland, in a formal, martial pose. Rendered in stark black-and-white, the image presents the nobleman in elaborate armor, a ruff collar, and a sword, accompanied by a flowing banner inscribed with Latin commendations. The composition functions as a visual record of status and honor, typical of early‑seventeenth‑century portrait prints.

Subject & Meaning

The sitter, Henry Rich, is depicted as a dignified figure of the English aristocracy, his sharp facial features and steady gaze suggesting resolve. The Latin terms on the banner—such as *Generosus* (noble) and *Auratis* (golden)—serve to extol his virtues and lineage, reinforcing the social ideals of generosity, bravery, and noble birth associated with his rank.

Technique & Style

De Passe employed copper‑plate engraving, using fine, intersecting lines to model the texture of armor, fabric folds, and facial details. The precise hatching creates a sense of depth and materiality, while the contrast between dark ink and the white paper accentuates the intricate ornamentation of the armor and the flowing script of the banner. The overall effect is restrained yet meticulously crafted.

History & Provenance

Created in 1618, the print belongs to a period when de Passe, a prominent Dutch engraver working in England, produced portrait series for the court. The work likely circulated among patrons and collectors as a means of disseminating the Earl’s likeness. Surviving copies are found in several European print collections, reflecting the print’s role in early modern portraiture and its continued scholarly interest.