Who painted En la sacristía. ¿Mamá por qué pega Jesús a ese hombre??

En la sacristía. ¿Mamá por qué pega Jesús a ese hombre? was painted by Pedro Rodríguez de la Torre in 1891.

Where can I see En la sacristía. ¿Mamá por qué pega Jesús a ese hombre??

En la sacristía. ¿Mamá por qué pega Jesús a ese hombre? is held by Museo del Prado.

What movement is En la sacristía. ¿Mamá por qué pega Jesús a ese hombre??

En la sacristía. ¿Mamá por qué pega Jesús a ese hombre? is associated with Post-Impressionism.

Artwork

En la sacristía. ¿Mamá por qué pega Jesús a ese hombre?

Pedro Rodríguez de la Torre , 1891

En la sacristía. ¿Mamá por qué pega Jesús a ese hombre? is an oil painting by the Post-Impressionist artist Pedro Rodríguez de la Torre. It dates from 1891 and is held in the collection of the Museo del Prado.

About this work

Overview

Pedro Rodríguez de la Torre’s oil on canvas, executed in 1891, is part of the Prado Museum’s collection. The work portrays an interior space filled with a sizable assembly gathered around a long table, rendered with meticulous attention to architectural and decorative detail.

Subject & Meaning

At the heart of the composition stands a woman in a brightly colored dress, drawing the viewer’s focus amid the formally attired men and women. The setting suggests a ceremonial or festive occasion, though the precise narrative remains ambiguous, inviting contemplation of the social dynamics within the gathering.

Technique & Style

Rodríguez de la Torre employs a controlled chiaroscuro, balancing illuminated surfaces with deeper shadows to model forms and convey depth. The brushwork is refined, especially in the rendering of fabrics and ornamental motifs on the walls and ceiling, reflecting a late‑19th‑century academic approach.

History & Provenance

Created in 1891, the painting entered the Museo del Prado’s holdings during the 20th century, where it has been displayed as part of the museum’s representation of Spanish genre painting from the period.

Context

The work aligns with a broader Spanish tradition of interior genre scenes that document social rituals and domestic spaces. Its detailed depiction of attire and décor offers insight into the aesthetic preferences and cultural customs of the era’s upper‑middle class.