Artwork
Saint Anthony and the Two Temptresses (Saint Antoine et deux Tentatrices)
Saint Anthony and the Two Temptresses (Saint Antoine et deux Tentatrices) is an ink drawing by the Impressionist artist Odilon Redon. It dates from 1898 and is held in the collection of the National Gallery of Art. This drawing, Saint Anthony and the Two Temptresses, is a work on laid paper created with brush and black ink.
About this work
Overview
This drawing, Saint Anthony and the Two Temptresses, is a work on laid paper created with brush and black ink.
Subject & Meaning
The drawing depicts Saint Anthony crucified, flanked by two mysterious female figures with obscured faces, representing a dramatic confrontation between faith and desire.
Technique & Style
Redon employed bold, sharp lines and cross-hatching to create a tense atmosphere, using ink to achieve a sense of angularity and drama.
Context
The artwork explores themes of temptation and spirituality, reflecting Redon's interest in the internal struggle between faith and desire.
Artist & collection
Artist
Born Bertrand-Jean Redon on 20 April 1840 in Bordeaux, the artist adopted the name Odilon from his mother, Marie-Odile.
Untitled
Kreuzigung, nach dem Altarbild in Tölz (Crucifixion, after the Altarpiece at Tölz)
Le Christ portant sa croix (7e planche) (Christ Carrying the Cross) (seventh plate)
Le Christ aux outrages (The Mocking of Christ)
Le Christ portant sa croix (5e planche) (Christ Carrying the Cross) (fifth plate)
Untitled
Christ
a) Fetters (recto); b) Sketch for Fetters (verso)
Christ Crucified Between the Two Thieves: 'The Three Crosses'
Le Christ portant sa croix (4e planche) (Christ Carrying the Cross) (fourth plate)