Artwork
Mary Magdalen
Mary Magdalen is a print by Antonio Ricciani. It dates from 1850 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
The work is a paper print portraying a female figure identified as Mary Magdalene. She is shown in draped garments, holding a small jar that traditionally represents the ointment she used for anointing. The composition is derived from a well‑known drawing by Leonardo da Vinci, translating his painted arrangement into a monochrome print format.
Subject & Meaning
Mary Magdalene, a prominent figure in the New Testament, is frequently associated with themes of penitence and devotion. In this image, the ointment jar serves as an emblem of her role in the biblical narrative of anointing Christ, while the subdued background draws attention to her contemplative expression and the act of offering.
Technique & Style
Executed as a print on paper, the piece employs line work that softens the contours of the original Leonardo composition. The figure’s hair is rendered in curled, pinned strands, and a modest necklace adds a hint of detail. The dark, unadorned backdrop creates a stark contrast, emphasizing the illuminated face and hands.
History & Provenance
The print is a derivative work that copies Leonardo da Vinci’s earlier painting, reproducing its composition while simplifying certain elements. It reflects the practice of disseminating celebrated designs through printmaking, allowing broader access to the master’s imagery during the period in which it was produced.
Artist & collection
Artist
Antonio Ricciani made prints of religious scenes in the late 1700s and early 1800s.
