Artwork
Untitled
Untitled is a print by Robert Watts. It dates from 1973 and is held in the collection of the Museum of Modern Art.
About this work
Overview
This untitled print is a used envelope transformed into an artwork by Robert Watts, an American artist associated with the Fluxus movement. The work is an example of Watts' experimental approach to art.
Subject & Meaning
The envelope bears a 'New York' postmark dated May 12, 1967, a handwritten meter number, and a 'U.S. Postage 05' stamp. The use of a real, used envelope as the artwork blurs the line between everyday objects and art.
Technique & Style
The envelope is printed with black ink, which appears unevenly applied, with some areas smudged and others sharp. A corner is torn, and the envelope is slightly crumpled, suggesting a deliberate choice to retain or enhance its used condition.
History & Provenance
The work was created by Watts, who taught at Rutgers University from 1953 to 1984 and was involved in organizing the 1963 Yam Festival with George Brecht. It is now part of The Museum of Modern Art's collection, dated to around 1973.
Context
Watts' use of everyday objects, such as used envelopes, reflects the Fluxus movement's broader engagement with common materials and unconventional distribution methods.
Artist & collection
Artist
Robert Marshall Watts (1923–1988) was an American artist best known for his work as a member of the international group of artists Fluxus.
