Artwork

鈴木春信画 覗き絡繰り・「高野の玉川 弘法大師」|A Teenage Boy and Girl with a Viewer for an Optique Picture (Nozoki-karakuri); Kōbō Daishi’s Poem on the Jewel River of Kōya (Kōya no Tamagawa: Kōbō Daishi)

鈴木春信画 覗き絡繰り・「高野の玉川 弘法大師」|A Teenage Boy and Girl with a Viewer for an Optique Picture (Nozoki-karakuri); Kōbō Daishi’s Poem on the Jewel River of Kōya (Kōya no Tamagawa: Kōbō Daishi), by Suzuki Harunobu, ink
鈴木春信画 覗き絡繰り・「高野の玉川 弘法大師」|A Teenage Boy and Girl with a Viewer for an Optique Picture (Nozoki-karakuri); Kōbō Daishi’s Poem on the Jewel River of Kōya (Kōya no Tamagawa: Kōbō Daishi), by Suzuki Harunobu, ink

鈴木春信画 覗き絡繰り・「高野の玉川 弘法大師」|A Teenage Boy and Girl with a Viewer for an Optique Picture (Nozoki-karakuri); Kōbō Daishi’s Poem on the Jewel River of Kōya (Kōya no Tamagawa: Kōbō Daishi) is an ink print by the Romanticist artist Suzuki Harunobu. It is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

This woodblock print, created by Suzuki Harunobu around 1760s-70s, is a nuanced example of Japanese ukiyo-e art. It is held at The Metropolitan Museum of Art.

Subject & Meaning

The print depicts a boy and girl examining an optical device, possibly a precursor to modern viewing technologies. The scene is tranquil, with the pair lost in contemplation. The image is accompanied by a reference to Kōbō Daishi’s poem on the Jewel River of Kōya.

Technique & Style

The print is characterized by muted earth tones and soft pastels, showcasing Harunobu's subtle color palette. The use of ink and color on paper is typical of ukiyo-e woodblock printing.

Context

The work reflects the Edo period's fascination with optical devices and entertainment. It also alludes to classical Japanese literature through its reference to Kōbō Daishi's poem.

Artist & collection