Who painted Man Clutching a Horse in Water, after Poussin's "Deluge" (recto)?

Man Clutching a Horse in Water, after Poussin's "Deluge" (recto) was painted by Théodore Géricault in 1816.

Where can I see Man Clutching a Horse in Water, after Poussin's "Deluge" (recto)?

Man Clutching a Horse in Water, after Poussin's "Deluge" (recto) is held by Cleveland Museum of Art.

What movement is Man Clutching a Horse in Water, after Poussin's "Deluge" (recto)?

Man Clutching a Horse in Water, after Poussin's "Deluge" (recto) is associated with Romanticism.

Artwork

Man Clutching a Horse in Water, after Poussin's "Deluge" (recto)

Théodore Géricault , 1816

Man Clutching a Horse in Water, after Poussin's "Deluge" (recto) is a drawing by the Romanticist artist Théodore Géricault. It dates from 1816 and is held in the collection of the Cleveland Museum of Art. This small drawing by Géricault depicts a man clinging to a horse's mane as they struggle to stay afloat in turbulent water.

About this work

Overview

This small drawing by Géricault depicts a man clinging to a horse's mane as they struggle to stay afloat in turbulent water. It is a detailed copy from Nicolas Poussin's painting 'The Deluge'.

Subject & Meaning

The drawing captures a moment of intense struggle and panic, conveying a sense of monumental drama despite its small scale. The scene is characterized by the desperate attempt of the man and horse to remain above the dark, swirling water.

Technique & Style

Géricault employed his 'antique manner' of drawing, characterized by heavy contour lines and broad washes, to recreate Poussin's scene. This style, developed around 1815, emphasizes bold outlines and expressive use of light and shadow, creating a sense of immediacy and tension.

History & Provenance

The drawing is a copy of a detail from Poussin's 'The Deluge', created as part of Géricault's practice of copying works from the past, including prints after ancient sculpture and works by Renaissance artists like Raphael and Michelangelo.

Context

Géricault's work reflects his renewed interest in the art of the past, using it as a foundation to develop his own style and expressive capabilities.