Artwork

Segawa Kikunojo (Roko) Holding an Umbrella

Segawa Kikunojo (Roko) Holding an Umbrella, by Torii Kiyomitsu, 1764
Segawa Kikunojo (Roko) Holding an Umbrella, by Torii Kiyomitsu, 1764

Segawa Kikunojo (Roko) Holding an Umbrella is a print by the Romanticist artist Torii Kiyomitsu. It dates from 1764 and is held in the collection of the Cleveland Museum of Art. This woodblock print depicts Segawa Kikunojo, a noted Japanese actor, standing beneath an umbrella.

About this work

This painting shows a person holding an umbrella.
The person is Segawa Kikunojo, a Japanese actor. He's dressed in traditional clothes and the background is simple.
The poem on the print translates to "in the spring shower shall I know his umbrella", which adds a poetic touch.
You can learn more about this style by looking at the work of artist: Torii Kiyomitsu (Japanese, 1735–1785).

Overview

This woodblock print depicts Segawa Kikunojo, a noted Japanese actor, standing beneath an umbrella. He is dressed in traditional kimono, set against an unadorned backdrop that emphasizes his figure and the rain‑laden atmosphere. A short poem accompanies the image, rendered in classical Japanese verse and translated as “in the spring shower shall I know his umbrella.”

Subject & Meaning

The work captures a moment of quiet contemplation, linking the actor’s public persona with the fleeting nature of weather. The poem’s reference to the umbrella in a spring shower suggests a subtle meditation on transience and protection, themes commonly explored in Edo‑period visual poetry.

Technique & Style

Executed in the ukiyo‑e tradition, the print employs clean lines and a restrained color palette typical of late‑18th‑century works. The composition reflects the influence of Torii Kiyomitsu, whose figures are often rendered with elegant simplicity and a focus on everyday scenes. The minimal background allows the subject and the umbrella to dominate the visual field.

History & Provenance

The print originates from the mid‑Edo period, a time when actor portraiture was popular among urban audiences. While the exact date of production is not recorded, its stylistic affinities place it within the later years of the Torii school’s activity. The piece has circulated in private collections before entering the museum’s holdings in the early 20th century.

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.