Artwork

Diagrams of the Universe: The Two-and-a-Half Continents, the Universe in the Shape of a Person, and the Seven Levels of Hell

Diagrams of the Universe: The Two-and-a-Half Continents, the Universe in the Shape of a Person, and the Seven Levels of Hell, by Unknown, unspecified, 1613
Diagrams of the Universe: The Two-and-a-Half Continents, the Universe in the Shape of a Person, and the Seven Levels of Hell, by Unknown, unspecified, 1613

Diagrams of the Universe: The Two-and-a-Half Continents, the Universe in the Shape of a Person, and the Seven Levels of Hell is an unspecified painting by the Baroque artist Unknown. It dates from 1613 and is held in the collection of the Cleveland Museum of Art. This 1613 painting from Gujarat, India, illustrates the Jain cosmology, depicting the universe in a unique and detailed manner.

About this work

The top half is heaven, the bottom half is hell, and the middle is a round map of mountains and rivers.

You see a tall, skinny figure shaped like a person, split into layers. The top half is heaven, the bottom half is hell, and the middle is a round map of mountains and rivers. Tiny scenes show people suffering in fire pits on the right side.

This painting comes from Jain beliefs in Gujarat, India. It’s a map of the whole universe—how people imagined it in 1613. The artist drew it so anyone could understand the rules of life, death, and what comes after.

If you like this, look up more about the subject western india, gujarat.

Overview

This 1613 painting from Gujarat, India, illustrates the Jain cosmology, depicting the universe in a unique and detailed manner.

Subject & Meaning

The artwork represents the universe in anthropomorphic form, divided into heavenly realms above, hellish regions below, and an earthly realm at its center, symbolizing the Jain understanding of existence and the afterlife.

Technique & Style

The painting features a tall, slender figure segmented into layers, with the central earthly realm expanded into a round diagram showing geographical features, while the hellish regions are elaborated with scenes of suffering.

Context

Created within the Jain tradition in Gujarat, the painting serves as a visual representation of complex cosmological beliefs, aiming to convey the principles governing life, death, and the afterlife.

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.