Artwork

Hüssener, Auguste: Andruckbogen mit vier Gemäldereproduktionen

Hüssener, Auguste: Andruckbogen mit vier Gemäldereproduktionen, by Unknown, 1840
Hüssener, Auguste: Andruckbogen mit vier Gemäldereproduktionen, by Unknown, 1840

Hüssener, Auguste: Andruckbogen mit vier Gemäldereproduktionen is a drawing by Unknown. It dates from 1840 and is held in the collection of the City Museum Berlin. The sheet presents a quartet of miniature paintings reproduced on a single page, each rendered in fine detail and preserved uncut.

About this work

Overview

The sheet presents a quartet of miniature paintings reproduced on a single page, each rendered in fine detail and preserved uncut. The collection appears to have served as an illustrative plate for a printed work, likely a paperback, given its compact format and the presence of a full marginal inscription.

Subject & Meaning

The four images portray distinct narratives: an Italian scene of a mother with her child observed by two men behind a prison lattice; a fisherman’s return from sea; a devout family gathered in a forest for prayer; and an angel offering solace to a young girl. Together they suggest themes of domesticity, labor, piety, and compassionate aid.

Technique & Style

Executed with delicate cross‑hatching and precise line work, the reproductions convey depth and texture despite their small scale. The style aligns with mid‑19th‑century German illustration, balancing realism in the figures with a modest, almost didactic composition suitable for book illustration.

History & Provenance

The sheet originates from the estate of Eduard Ratti, brother‑in‑law of the artist Auguste Hüssener (1789‑1877). In 1912 Viktor Ratti donated the piece to the Märkisches Museum. The angel of mercy image bears a separate attribution to Eduard Ratti, while the second picture is identified as a copy after Rudolf Jordan’s 1844 work “Das des Fischers.”

Context

One of the four panels reproduces Jordan’s popular scene of a fisherman’s homecoming, which also appeared in the 1844 Berliner Taschenalender and was later adapted for porcelain pipe heads. This reflects the 19th‑century practice of circulating popular motifs across media, from print to decorative arts.

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: City Museum Berlin open access. Spotted an error in this record? Tell us.