Who painted Shiva and Kama (Madana)?

Shiva and Kama (Madana) was painted by Unknown in 1890.

Where can I see Shiva and Kama (Madana)?

Shiva and Kama (Madana) is held by Victoria and Albert Museum.

What movement is Shiva and Kama (Madana)?

Shiva and Kama (Madana) is associated with Impressionism.

Artwork

Shiva and Kama (Madana)

Unknown , 1890

Shiva and Kama (Madana) is a paint painting by the Impressionist artist Unknown. It dates from 1890 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

This 1890 watercolour and tin alloy on cardboard painting portrays a mythological scene featuring two central figures, executed in a style characteristic of traditional Indian art, with bold colors and simple lines.

Subject & Meaning

The painting depicts Shiva, identifiable by his trident, blue snake headpiece, and distinctive attire, directing a fiery blast from his third eye at the smaller figure of Kama (Madana), who is shown in a state of falling or being repelled, symbolizing the mythological narrative of Shiva's destruction of the god of desire.

Technique & Style

The artwork combines watercolour with tin alloy elements on a cardboard base, showcasing a vibrant palette (notably white, yellow, red, and blue) against an off-white background. The style aligns with the Kalighat art movement's tendencies, marked by simplified forms and expressive color use.

History & Provenance

Created in 1890, the painting's origins and ownership history prior to its current location are not detailed in available information.

Context

Emerging from the late 19th-century Indian art scene, this piece reflects the Kalighat style's blend of traditional mythology with evolving artistic practices, potentially catering to both local and foreign audiences interested in Indian mythology.

Legacy

As a representative of the Kalighat art movement, the painting contributes to the understanding and appreciation of late 19th-century Indian artistic expression, though its individual impact or influence on subsequent art movements is not specifically highlighted in available sources.