Artwork
The Salting Diptych

The Salting Diptych is a work on paper by Unknown. It dates from 1315 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
The Salting Diptych is a Gothic ivory diptych, a two-panelled artwork that can be closed like a book. It is considered one of the finest examples of English Gothic ivory carving to have survived.
Technique & Style
The diptych is notable for its thickness, with each leaf measuring 2.6cm in depth, and its monumental figures, which resemble small free-standing statues. The style is associated with late 13th and early 14th century work at Westminster, and features an ogee arch, a characteristic of English Gothic architecture.
Subject & Meaning
The diptych depicts two scenes, featuring Christ and the Virgin and Child. The figures are rendered in a detailed and intricate style, and are enclosed within niches, giving them a three-dimensional appearance.
History & Provenance
The Salting Diptych was donated to the Museum by George Salting, from whom it takes its name. It has been recognized as a significant example of English Gothic ivory carving since the late 19th century.
Context
The diptych's style is comparable to other artworks from the period, including the Eleanor Crosses and the Percy tomb at Beverley, suggesting a possible connection to a court workshop in England.
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