Artwork
六十余州名所図会 隠岐 焚火の社|The Takihi Shrine, Oki Province, from the series Views of Famous Places in the Sixty-Odd Provinces

六十余州名所図会 隠岐 焚火の社|The Takihi Shrine, Oki Province, from the series Views of Famous Places in the Sixty-Odd Provinces is an ink print by the Romanticist artist Utagawa Hiroshige. It dates from 1853 and is held in the collection of the Metropolitan Museum of Art.
About this work
Overview
Created circa 1853 by the Edo‑period ukiyo‑e master Utagawa Hiroshige, this woodblock print belongs to his extensive series documenting notable locales across Japan’s provinces. The image portrays a coastal scene on Oki Island, highlighting a shrine perched beside turbulent waters, a lone boat under an umbrella, and a backdrop of dark, forested hills.
Subject & Meaning
The composition juxtaposes the serenity of a small shrine with the restless sea, suggesting a dialogue between spiritual refuge and the forces of nature. A solitary figure in a boat, shielded by an umbrella, navigates the churning waves, underscoring themes of travel, pilgrimage, and the precariousness of human endeavor amid the elements.
Technique & Style
Executed with ink outlines and vivid pigments on paper, the print employs bold contours to delineate the cresting surf and the dense foliage beyond. Hiroshige’s characteristic use of flat color fields and careful line work captures both the immediacy of the shoreline and the atmospheric depth of the distant hills.
History & Provenance
Part of the "Views of Famous Places in the Sixty‑Odd Provinces" series, the work was produced for commercial distribution in the mid‑nineteenth century, catering to a growing public interest in travel and regional identity. Original impressions circulated among collectors of ukiyo‑e prints and later entered museum collections as representative examples of Hiroshige’s provincial landscape oeuvre.
Context
Oki Province, an island archipelago off the western coast of Honshū, was a relatively remote locale during the Edo period. Hiroshige’s inclusion of this site reflects the era’s expanding geographic awareness and the shogunate’s promotion of domestic tourism, while also providing viewers with a visual record of a lesser‑known coastal shrine.
Artist & collection
Artist
Utagawa Hiroshige (歌川 広重) or Andō Hiroshige (安藤 広重), born Andō Tokutarō (安藤 徳太郎; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.














