Who painted Veduta del Prospetto della Chiesa di S. Giorgio Maggiore?

Veduta del Prospetto della Chiesa di S. Giorgio Maggiore was painted by Joseph Wagner in 1742.

Where can I see Veduta del Prospetto della Chiesa di S. Giorgio Maggiore?

Veduta del Prospetto della Chiesa di S. Giorgio Maggiore is held by National Gallery of Art.

What movement is Veduta del Prospetto della Chiesa di S. Giorgio Maggiore?

Veduta del Prospetto della Chiesa di S. Giorgio Maggiore is associated with Baroque.

Artwork

Veduta del Prospetto della Chiesa di S. Giorgio Maggiore

Joseph Wagner , 1742

Veduta del Prospetto della Chiesa di S. Giorgio Maggiore is an ink print by the Baroque artist Joseph Wagner. It dates from 1742 and is held in the collection of the National Gallery of Art. Veduta del Prospetto della Chiesa di S.

About this work

The engraving, created in 1742, showcases the artist's skill in capturing the play of light and shadow on the church's architecture.

This image depicts a serene scene of a church, with a large dome and a tall tower, situated on the water's edge. The church's facade is adorned with intricate details, and several boats are moored in front of it. In the foreground, people are engaged in various activities, such as rowing or standing on the shore.

The engraving, created in 1742, showcases the artist's skill in capturing the play of light and shadow on the church's architecture. The use of etching and drypoint techniques adds depth and texture to the image.

To learn more about the artistic techniques used in this piece, explore the world of etching and drypoint.

Overview

Veduta del Prospetto della Chiesa di S. Giorgio Maggiore is a print created by Joseph Wagner in 1742, combining engraving and etching techniques on laid paper.

Subject & Meaning

The print depicts the church of San Giorgio Maggiore, situated on the waterfront, with its facade and dome rendered in detail. The scene includes boats and people engaged in various activities, capturing a serene moment.

Technique & Style

Wagner's use of engraving and etching techniques achieves a nuanced representation of light and shadow on the church's architecture, adding depth and texture to the image.

History & Provenance

Created in 1742, this print showcases Wagner's skill as an engraver and etcher during the mid-18th century.