チャリネ大曲馬御遊覧ノ図|Illustration of the Imperial Excursion to see the Charini's Circus (Charine daikyokuba goyūran no zu)

Chikanobu employs the traditional woodblock method, carving separate blocks for line work and each hue. Bold, flowing outlines define the figures, while flat, saturated colors—greens, reds, purples—create a dynamic contrast against the paper’s surface. The composition uses diagonal movement and layered planes to convey motion, a hallmark of late‑period ukiyo‑e that emphasizes narrative vigor over realistic detail.

The print was produced during the Meiji period, a time when Japan was rapidly adopting Western influences while preserving native artistic practices. It entered the Metropolitan Museum of Art’s collection through a 20th‑century acquisition of Japanese prints, reflecting the museum’s effort to represent the breadth of Meiji visual culture.

Imperial excursions to public spectacles were promoted by the Meiji government to demonstrate progress and unify the nation. This print documents such an event, illustrating how traditional performance arts were incorporated into state‑sponsored celebrations, thereby reinforcing the emperor’s presence in everyday life while showcasing Japan’s evolving modern identity.