Who painted Christ Holding a Chalice and Cross (recto)?

Christ Holding a Chalice and Cross (recto) was painted by Alonso Cano in 1666.

Where can I see Christ Holding a Chalice and Cross (recto)?

Christ Holding a Chalice and Cross (recto) is held by Cleveland Museum of Art.

What movement is Christ Holding a Chalice and Cross (recto)?

Christ Holding a Chalice and Cross (recto) is associated with Baroque.

Artwork

Christ Holding a Chalice and Cross (recto)

Alonso Cano , 1666

Christ Holding a Chalice and Cross (recto) is a drawing by the Baroque artist Alonso Cano. It dates from 1666 and is held in the collection of the Cleveland Museum of Art. This drawing depicts Christ in a triumphant pose, holding a cross and a chalice, symbolizing his resurrection and sacrifice.

About this work

The cup is the chalice used at Mass, and the pointing man is John the Baptist, calling Christ the “Lamb of God.

A man in a robe holds a cross in one hand and a golden cup in the other. Behind him, another figure points, like he’s making an introduction.

This is Christ after rising from the dead, showing the tools of his sacrifice. The cup is the chalice used at Mass, and the pointing man is John the Baptist, calling Christ the “Lamb of God.” Cano drew this as a study for an altarpiece—no finished painting of it exists. The sketch feels quick but sure, like a rehearsal for something bigger.

If you like this quiet, direct style, look up the work of Alonso Cano (Spanish, 1601–1667).

Overview

This drawing depicts Christ in a triumphant pose, holding a cross and a chalice, symbolizing his resurrection and sacrifice. Accompanied by Saint John the Baptist, who gestures to identify Christ as the Lamb of God, the composition conveys key Catholic themes.

Subject & Meaning

Christ is shown post-resurrection, holding the cross of his sacrifice and a chalice representing his blood. Saint John the Baptist's gesture reinforces Christ's role as the Lamb of God, directly linking the scene to the Catholic Mass's symbolism.

Technique & Style

The drawing exhibits a quick yet assured execution, characteristic of a preparatory study. The overall style aligns with the artist's known body of work, marked by directness and simplicity.

History & Provenance

Created by Alonso Cano, a prominent Baroque artist in 17th-century Spain, this drawing was likely a study for an intended altarpiece. No corresponding finished painting by the artist is known to exist.

Context

Alonso Cano's work, including this drawing, was primarily commissioned by the Catholic Church and Spanish monarchs, reflecting the dominant religious and patronage contexts of Baroque Spain.