Artwork

View of the Grand Canal, taken between the first bridge and the first lock looking towards Dublin

View of the Grand Canal, taken between the first bridge and the first lock looking towards Dublin, by Gabriel, ca.1729-1817 Beranger, unspecified, 1790
View of the Grand Canal, taken between the first bridge and the first lock looking towards Dublin, by Gabriel, ca.1729-1817 Beranger, unspecified, 1790

View of the Grand Canal, taken between the first bridge and the first lock looking towards Dublin is an unspecified work on paper by the Rococo painting artist Gabriel, ca.1729-1817 Beranger. It dates from 1790 and is held in the collection of the Royal Irish Academy. The image captures a stretch of Dublin’s Grand Canal situated between its initial bridge and the first lock.

About this work

The painting shows a scene of the Grand Canal in Dublin with a boat being pulled by horses and people walking along the path.

The painting shows a scene of the Grand Canal in Dublin with a boat being pulled by horses and people walking along the path.

The scene is peaceful, with a man, woman, and child strolling together. They seem to be enjoying the day. The artist included many details, like the bridge in the distance.

This painting is a nice example of everyday life, you can learn more about the artist who created it, Beranger, Gabriel, ca.1729-1817.

Overview

The image captures a stretch of Dublin’s Grand Canal situated between its initial bridge and the first lock. In the foreground, a pair of horses draws a narrow boat along the tow‑path, while on the opposite bank a family of three walks leisurely, accompanied further ahead by another couple. A distant bridge punctuates the horizon, anchoring the composition.

Subject & Meaning

The scene presents a snapshot of everyday urban life in late‑18th‑ or early‑19th‑century Dublin, emphasizing the coexistence of commercial activity—embodied by the horse‑drawn barge—and leisurely recreation, shown by the strolling pedestrians. The tranquil atmosphere suggests a harmonious rhythm between work and pleasure along the canal’s banks.

Technique & Style

Executed in a detailed, observational manner, the work reflects the topographical interests of its creator, Gabriel Beranger. Fine line work and careful shading convey the textures of water, stone, and foliage, while the balanced placement of figures and architecture demonstrates a measured, documentary approach typical of Beranger’s visual records.

History & Provenance

The image is attributed to Gabriel Beranger (c. 1729–1817), an Irish draughtsman noted for his extensive surveys of Dublin’s streetscapes and landmarks. Produced during his active period of recording the city’s built environment, the work likely served as a visual record for contemporary viewers or later publications.

Context

During Beranger’s lifetime, Dublin’s canal network was a vital conduit for transport and trade, linking the city to inland markets. The Grand Canal, completed in stages from the late 1700s, facilitated the movement of goods and passengers, a fact reflected in the depiction of a working barge alongside pedestrians enjoying the newly accessible waterfront.

Artist & collection

This work is in the public domain (CC0). Image source: Royal Irish Academy open access. Spotted an error in this record? Tell us.