Artwork
Abundance and the Face of a Lion, from the Villa Pamphili

Abundance and the Face of a Lion, from the Villa Pamphili is a chalk drawing by the Neoclassicist artist Jacques-Louis David. It dates from 1778 and is held in the collection of the National Gallery of Art.
About this work
Overview
Abundance and the Face of a Lion, from the Villa Pamphili is a drawing by Jacques-Louis David, executed in 1778 using black chalk and gray wash on laid paper.
Subject & Meaning
The drawing depicts a serene woman in flowing robes, seated with a basket of fruit, juxtaposed with the unexpected appearance of a lion’s face in the background, introducing a contrast between tranquility and wildness, suggesting themes of balance or underlying peril.
Technique & Style
David employed quick, expressive lines and soft gray wash shading to maintain a loose, sketchy quality, emphasizing spontaneity and emotional depth.
History & Provenance
Created in 1778, specific details about the drawing’s original context, ownership history, or exhibition record before its current location are not provided in the available information.
Context
This work reflects the artistic explorations of the late 18th century, where contrasts and emotional depth were increasingly valued, laying groundwork for later artistic movements.
Legacy
Abundance and the Face of a Lion influences the development of Romantic-era aesthetics, particularly in the use of stark contrasts to evoke complex emotions and narratives, as seen in the broader context of Romanticism.
Artist & collection
Artist
Jacques-Louis David was born in Paris on 30 August 1748 into a bourgeois family; his father died in a duel when the boy was nine, and a maternal uncle guided his education.










![Statue of Abundance [recto], by Hubert Robert](https://artifactworldgallery.com/img/hubert-robert--statue-of-abundance-recto--af10c767ab97b269-w320.webp)








