Artwork

Portfolio VI, Plate 193: Travaux--Piegan

Portfolio VI, Plate 193: Travaux--Piegan, by Edward S. Curtis, 1900
Portfolio VI, Plate 193: Travaux--Piegan, by Edward S. Curtis, 1900

Portfolio VI, Plate 193: Travaux--Piegan is a work on paper by Edward S. Curtis. It dates from 1900 and is held in the collection of the Cleveland Museum of Art.

About this work

The overall atmosphere of the image is one of movement and activity, with the horses and riders seemingly in motion.

This image depicts a group of people on horseback, with a line of horses stretching across the landscape. The riders are dressed in dark clothing, and some of them are holding long poles or spears. The horses are walking through a field of tall grass, with a few hills visible in the background.

The overall atmosphere of the image is one of movement and activity, with the horses and riders seemingly in motion. The use of dark colors and the muted tones of the landscape add to the sense of drama and energy.

The image is a striking example of the work of Edward S. Curtis, an American photographer known for his portraits of Native American tribes. To learn more about Curtis's work, explore the artist: Edward S. Curtis (American, 1868–1952).

Overview

Portfolio VI, Plate 193: Travaux--Piegan is a photographic work by Edward S. Curtis, created in 1900, and is part of The Cleveland Museum of Art's collection.

Subject & Meaning

The image shows a group of Piegan people on horseback, traversing a grassy landscape with hills in the background. The riders, dressed in dark attire, are engaged in an activity, possibly hunting or herding, as some hold long poles or spears.

Technique & Style

The photograph conveys a sense of movement and energy through its depiction of horses and riders in action. The use of dark colors and muted tones enhances the dramatic effect, characteristic of Curtis's documentary style.

Artist & collection

Artist

Edward S. Curtis

Edward S. Curtis (1868–1952) was an American artist.

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.