Who painted Saint Matthew the Evangelist?

Saint Matthew the Evangelist was painted by Gottfried Bernhard Götz in 1741.

Where can I see Saint Matthew the Evangelist?

Saint Matthew the Evangelist is held by National Gallery of Art.

What movement is Saint Matthew the Evangelist?

Saint Matthew the Evangelist is associated with Baroque.

Artwork

Saint Matthew the Evangelist

Gottfried Bernhard Götz , 1741

Saint Matthew the Evangelist is an ink print by the Baroque artist Gottfried Bernhard Götz. It dates from 1741 and is held in the collection of the National Gallery of Art.

About this work

Overview

Saint Matthew the Evangelist is a color etching created by Gottfried Bernhard Götz in 1741. The print depicts the evangelist in a contemplative pose, accompanied by a small angel. Characterized by soft colors (pink, blue, earth tones) and expressive, swirling lines, the work showcases Götz's use of etching techniques to achieve depth and detail.

Subject & Meaning

The subject is Saint Matthew, one of the four Gospel writers, identified by the inscription *S. Matthæus Ev.* at the top. He is portrayed as a bearded, curly-haired man in a long robe, engaged in writing (quill and book), with a small angel emerging from his garment, symbolizing divine inspiration or guidance.

Technique & Style

The etching combines fine lines with shaded areas to create depth. Götz utilized the roulette inked à la poupée technique on laid paper, resulting in loose, expressive edges. The soft palette (pink, blue, earth tones) contributes to the serene, introspective atmosphere.

History & Provenance

Created in 1741 by Gottfried Bernhard Götz, specific provenance details are not provided in the available information.

Context

As a religious etching from 1741, the work reflects the Baroque to Rococo transitional period's artistic preferences for detailed, emotionally charged religious subjects. The use of color etching was a relatively innovative technique during this time.

Legacy

The legacy of *Saint Matthew the Evangelist* lies in its representation of Götz's skill in etching and his contribution to the religious art of the 18th century, though its broader impact or notable exhibitions are not specified in the provided details.