Who painted The Virgin in a Robe Embroidered with Ears of Corn?

The Virgin in a Robe Embroidered with Ears of Corn was painted by German 15th Century in 1475.

Where can I see The Virgin in a Robe Embroidered with Ears of Corn?

The Virgin in a Robe Embroidered with Ears of Corn is held by National Gallery of Art.

What movement is The Virgin in a Robe Embroidered with Ears of Corn?

The Virgin in a Robe Embroidered with Ears of Corn is associated with Renaissance.

Artwork

The Virgin in a Robe Embroidered with Ears of Corn

German 15th Century , 1475

The Virgin in a Robe Embroidered with Ears of Corn is an ink print by the Renaissance artist German 15th Century. It dates from 1475 and is held in the collection of the National Gallery of Art.

About this work

Overview

The Virgin in a Robe Embroidered with Ears of Corn is a hand-colored woodcut print depicting a woman, identifiable as the Virgin, standing in an arched doorway with a balcony, observed by a small figure in the background. Her robe features intricately detailed embroidery resembling rows of ears of corn.

Subject & Meaning

The subject is the Virgin, symbolically adorned with a robe embroidered with ears of corn, a common artistic symbol of the era, likely conveying themes of fertility, abundance, or spiritual nourishment. The small figure watching from behind may imply a narrative or thematic element, though its specific meaning is not immediately clear.

Technique & Style

The work is crafted using woodcut, a technique involving carving a design into wood to print. The print has been meticulously hand-colored with a range of hues (gray, rose, yellow, red, blue, green, gold, and orange), with noticeable fading except in certain vibrant spots.

History & Provenance

No specific historical or provenance details are provided for this piece, including its date, artist, or ownership history.

Context

Created in a period where symbolic imagery was prevalent, the use of ears of corn as embroidery on the Virgin’s robe aligns with contemporary artistic practices of embedding symbolic meanings into religious subjects.

Legacy

The piece's impact or influence on subsequent art or its recognition within art historical canon is not specified, highlighting a lack of detailed information on its broader artistic legacy.