Virgin Enthroned in Glory with Saint Peter

Haid employs the etching medium to achieve fine line work and subtle tonal contrasts, creating a sense of depth through layered clouds and radiant light. The dramatic chiaroscuro and heightened emotional expression align the piece with Baroque sensibilities, despite being a print rather than a painted canvas.

Created in the mid‑18th century, the etching reflects Haid’s activity within the German printmaking tradition. It entered the National Gallery of Art’s holdings through acquisition in the 20th century, though earlier ownership records remain sparse.

During the period, religious imagery continued to serve both devotional and didactic purposes, often circulated through prints to reach a broader audience. Haid’s work fits within this tradition, offering a portable yet richly detailed visual meditation on Marian veneration.