Artwork

The Five Orders of Perriwigs as They Were Worn at the Late Coronation, Measured Architectonically

The Five Orders of Perriwigs as They Were Worn at the Late Coronation, Measured Architectonically is an ink print by the Romanticist artist William Hogarth. It dates from 1761 and is held in the collection of the National Gallery of Art.

About this work

Overview

William Hogarth's 1761 etching, *The Five Orders of Perriwigs as They Were Worn at the Late Coronation, Measured Architectonically*, is a satirical print that critiques the excesses of 18th-century British society through the depiction of elaborate hairstyles worn at George III's coronation.

Subject & Meaning

The etching presents five exaggerated wig designs, each associated with a distinct social class or profession, using the wigs as allegorical symbols for the social hierarchy of the time. By likening them to classical architectural orders, Hogarth satirizes the pretensions of the aristocracy and emerging upper classes.

Technique & Style

Executed in etching, the work features a grid-like arrangement of wigs against a muted background, drawing attention to the intricate details of each design, from simple to elaborate. Hogarth's characteristic biting satire is balanced by meticulous draftsmanship.

History & Provenance

Created in 1761, following George III's coronation, the etching reflects Hogarth's established role as a leading English satirist, having previously critiqued society through works like *A Harlot’s Progress* and *Marriage A-la-Mode*.

Context

Emerging from Hogarth's lower-middle-class London background, the work contextualizes the societal critiques of an artist who rose to prominence by challenging the excesses of the upper classes during the 18th century.

Legacy

This etching contributes to Hogarth's legacy as a pioneering satirical artist, influencing future generations with its unique blend of social commentary, allegory, and technical skill in etching.