Artwork
Matrona Argentinensis Caenam Dni Accedens e des Nymphs)
Matrona Argentinensis Caenam Dni Accedens e des Nymphs) is an ink print by the Baroque artist Wenceslaus Hollar. It dates from 1647 and is held in the collection of the National Gallery of Art.
About this work
Overview
Matrona Argentinensis Caenam Dni Accedens e des Nymphs is a 1647 etching by Wenceslaus Hollar, a Czech-born artist prominent in 17th-century England and Europe. The work differs from Hollar's typical cityscapes and landscapes, instead portraying a solitary figure in a contemplative setting.
Subject & Meaning
The etching depicts a matron from Strasbourg approaching a religious ceremony, conveyed through her attire and clasped hands. Her identity as a matron suggests a depiction of piety and domestic virtue.
Technique & Style
Executed in etching, the piece showcases Hollar's use of line work to achieve detailed textures, evident in the folds of the matron's dark dress and the intricacy of her high collar and cap.
History & Provenance
Created in 1647, the etching reflects Hollar's European career, spanning Prague, London, and other centers. Specific provenance details are not provided.
Context
While Hollar is known for vedutas and landscapes, this work highlights his capability in figurative, intimate scenes, possibly catering to the religious sentiments of his 17th-century audience.
Legacy
The etching demonstrates Hollar's technical skill and adaptability across subjects, contributing to his reputation as a versatile etcher of the period.
Artist & collection
Artist
Wenceslaus Hollar (Czech: Václav Hollar (Czech pronunciation: ), German: Wenzel Hollar; 23 July 1607 – 25 March 1677) was a Czech engraver, etcher and painter.
