Artwork
The husband berates his wife for purchasing gravel instead of sugar, from a Tuti-nama (Tales of a Parrot): Eighth Night

The husband berates his wife for purchasing gravel instead of sugar, from a Tuti-nama (Tales of a Parrot): Eighth Night is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. The work depicts an interior scene in which a kneeling man confronts a standing woman.
About this work
Overview
The work depicts an interior scene in which a kneeling man confronts a standing woman. He holds a white pouch and gestures toward her, while she clutches a smaller bag and appears uneasy. A richly patterned carpet covers the floor, and a gold‑domed structure can be seen through an opening behind them.
Subject & Meaning
The composition illustrates a domestic dispute: the husband reproaches his wife for having bought gravel rather than sugar, a detail derived from the accompanying title. The contrast between the two bags underscores the miscommunication, while the woman's posture and expression convey anxiety.
Technique & Style
Rendered with meticulous attention to texture, the painting employs fine brushwork to delineate the patterned carpet, the intricate jewelry on the woman, and the decorative wall designs. A vivid palette of reds, golds, and earth tones enhances the sense of opulence within the confined space.
Context
The scene is taken from a Tuti‑nama, or "Tales of a Parrot," a collection of narrative illustrations popular in Persian manuscript tradition. The episode belongs to the eighth night of the cycle, a moment when everyday domestic concerns are dramatized through visual storytelling.
Legacy
As an example of narrative painting within the Tuti‑nama genre, the piece illustrates how moral or cautionary tales were conveyed to literate audiences. Its detailed interior and expressive figures provide insight into contemporary domestic settings and the visual conventions used to depict marital dialogue.
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