Clisson (Lower Loire)

Lepère employed fine, intersecting lines characteristic of his etching practice, allowing precise rendering of textures such as stone masonry, rippling water, and leafy foliage. The tonal gradations achieved through varied line density convey subtle shifts of light and shadow, creating a measured, almost documentary quality that aligns with his broader interest in reviving traditional printmaking methods.

Since its creation, the print has been part of the collection of the National Gallery of Art in Washington, D.C. It entered the museum’s holdings through acquisition in the mid‑20th century, where it remains accessible for study and exhibition as an example of early‑20th‑century French printmaking.

Lepère’s career spanned the late 19th and early 20th centuries, a period marked by renewed interest in wood engraving and related print techniques across Europe. *Clisson (Lower Loire)* reflects his commitment to these media, situating the work within a broader movement that sought to blend meticulous craftsmanship with modern artistic sensibilities.