Diptych with the Virgin and Child and Three Donors

Executed in oil paint, the diptych showcases the artist's characteristic attention to detail and use of color to convey emotional depth. The juxtaposition of the warm, angel-filled background of the Virgin with the austere setting of the donors highlights the artist's ability to balance contrast within a single work.

Created in 1494, the painting is attributed to the Master of the Bruges Legend of St. Ursula, known for incorporating Bruges landmarks into religious scenes. The work is now part of the collection at the Royal Museum of Fine Arts Antwerp.

As a Northern Renaissance piece, it reflects the period's emphasis on religious themes and detailed realism. The artist's style, while less documented than some contemporaries, contributes to the understanding of fifteenth-century Flemish art practices.

Though not widely recognized beyond academic circles, the diptych provides valuable insight into the artistic and religious sentiments of late fifteenth-century Flanders, illustrating the devotion to traditional Christian themes during the Northern Renaissance.