Who painted Logic (from the Tarocchi, series C: Liberal Arts, #22)?

Logic (from the Tarocchi, series C: Liberal Arts, #22) was painted by Master of the E-Series Tarocchi in 1467.

Where can I see Logic (from the Tarocchi, series C: Liberal Arts, #22)?

Logic (from the Tarocchi, series C: Liberal Arts, #22) is held by Cleveland Museum of Art.

What movement is Logic (from the Tarocchi, series C: Liberal Arts, #22)?

Logic (from the Tarocchi, series C: Liberal Arts, #22) is associated with Renaissance.

Artwork

Logic (from the Tarocchi, series C: Liberal Arts, #22)

Master of the E-Series Tarocchi , 1467

Logic (from the Tarocchi, series C: Liberal Arts, #22) is a print by the Renaissance artist Master of the E-Series Tarocchi. It dates from 1467 and is held in the collection of the Cleveland Museum of Art. This engraving, Logic, is part of a series representing the Liberal Arts.

About this work

This painting shows a woman representing Logic, surrounded by symbols.
She's holding a book and a pair of scales.
The artist included details like a globe and a ladder to show the idea of knowledge and balance, which was important in the 15th century when this was made.
To learn more about this style, check out the work of Master of the E-Series Tarocchi.

Overview

This engraving, Logic, is part of a series representing the Liberal Arts. It is one of a set of prints known as the Tarocchi, which personify various disciplines and concepts.

Subject & Meaning

The print depicts Logic as a female figure, carrying symbols associated with knowledge and balance, such as a book, scales, and a serpent veiled. These elements convey the importance of measured reasoning and intellectual inquiry.

Technique & Style

The engraving features a full-length female figure turned to the right, with detailed accessories like a globe and ladder, indicating a focus on representing abstract concepts through tangible objects and allegorical figures.

Context

The Liberal Arts, including Logic, were considered essential knowledge for participation in a free society, originating from classical antiquity and evolving through the Middle Ages into allegorical representations in art.