Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)

The artist has skillfully composed two distinct scenes within a single frame, using visual elements to convey the passage of time and the transformation of Zulaykha. The inclusion of a flaming halo around Joseph's head emphasizes his virtuous character. The artist's name and the date are discreetly inscribed on a brick in the upper left corner of the painting.

The artwork is part of a larger tradition of Persian and Mughal Indian painting, where artists used visual storytelling to convey complex narratives and themes. The use of text on the verso side provides additional context and insight into the story being depicted.