Artwork
Virgin and Child Enthroned with Four Angels

Virgin and Child Enthroned with Four Angels is a tempera painting by the Early Renaissance artist Neri di Bicci. It dates from 1445 and is held in the collection of the Museum of Fine Arts Boston. Created in 1445, this tempera panel presents the Virgin Mary seated on a throne with the infant Christ, flanked by four diminutive angels.
About this work
Overview
Created in 1445, this tempera panel presents the Virgin Mary seated on a throne with the infant Christ, flanked by four diminutive angels. The composition is framed by an architectural arch with columns and red decorative elements, and the figures are rendered in vivid yet slightly muted gold, blue, and red tones characteristic of early Renaissance devotional art.
Subject & Meaning
The central figures—Mary with a golden halo and the Christ Child clutching a spherical object—embody the theological emphasis on the Incarnation. The surrounding angels, positioned symmetrically on either side, serve both as celestial witnesses and as visual guides directing the viewer’s contemplation toward the sacred duo.
Technique & Style
Executed in tempera, the work relies on pigment mixed with egg yolk, allowing for fine detailing and a luminous surface. The artist employs a clear linear outline and a restrained modeling of forms, producing a calm facial expression on the Virgin and a solemn gaze on the child, while the bright yet softened palette reflects the transitional aesthetics of the early Renaissance.
History & Provenance
The panel was painted by Neri di Bicci, a Florentine artist active between 1419 and 1491, who inherited a family workshop from his father Bicci di Lorenzo. After remaining in private hands for several centuries, the painting entered the collection of the Museum of Fine Arts, Boston, where it is currently displayed.
Context
Neri di Bicci worked within a three‑generation lineage of painters whose output was largely religious. This work exemplifies the devotional imagery commissioned for churches and private chapels in mid‑15th‑century Florence, reflecting contemporary iconographic conventions while also showcasing the artist’s personal approach to composition and color.
Artist & collection
Artist
Neri di Bicci (1419–1491) was an Italian painter active in his native Florence. A prolific painter of mainly religious themes, he studied under his father, Bicci di Lorenzo, who had in turn studied under his father,…















