Artwork

Les Liliacées: Limodorum purpureum

Les Liliacées:  Limodorum purpureum, by Pierre Joseph Redouté, 1809
Les Liliacées:  Limodorum purpureum, by Pierre Joseph Redouté, 1809

Les Liliacées: Limodorum purpureum is a print by the Romanticist artist Pierre Joseph Redouté. It dates from 1809 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

Les Liliacées: Limodorum purpureum is a botanical print created by Pierre-Joseph Redouté in 1809, featuring a detailed depiction of the purple orchid Limodorum purpureum. Characterized by its meticulous rendering, the work showcases Redouté's renowned botanical illustration skills.

Subject & Meaning

The subject, Limodorum purpureum, is portrayed with exceptional realism, highlighting Redouté's ability to capture the intricacies of flora. The emphasis on texture, from petal folds to dewdrops, reflects his dedication to scientific accuracy and aesthetic appeal.

Technique & Style

Executed as a large coloured stipple engraving, the piece exhibits Redouté's precise technique. His close-up composition and crisp details draw parallels with the work of Georg Dionysius Ehret, suggesting a stylistic influence.

History & Provenance

Redouté, court artist to Marie Antoinette, produced this work amidst significant political turmoil, including the French Revolution and Reign of Terror. His enduring career spanned service to both royal and scientific patrons.

Context

Part of Redouté's series Les Liliacées, this engraving represents the intersection of art and botany during the late 18th and early 19th centuries, catering to the interests of both scientific communities and aristocratic collectors.

Artist & collection

Portrait of Pierre Joseph Redouté

Artist

Pierre Joseph Redouté

Pierre-Joseph Redouté (French pronunciation: , 10 July 1759 – 19 June 1840), was a painter and botanist from the Austrian Netherlands, known for his watercolours of roses, lilies and other flowers at the Château de…

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.