Artwork
Major Martelli's Camp at Mhow

Major Martelli's Camp at Mhow is a photography by the Impressionist artist Raja Deen Dayal. It dates from 1886 and is held in the collection of the Cleveland Museum of Art. The photograph captures a temporary settlement near Mhow, with a collection of tents and figures engaged in routine tasks.
About this work
The people in the painting seem to be going about their daily activities, with some sitting and others standing.
You see a camp scene with people and tents in the foreground, set against a mountain range in the background.
The people in the painting seem to be going about their daily activities, with some sitting and others standing. The women in the scene may be related to Major Martelli or medical professionals.
This painting gives us a glimpse into life in India during the late 19th century, and to learn more about the cultural context, you can explore the subject: india.
Overview
The photograph captures a temporary settlement near Mhow, with a collection of tents and figures engaged in routine tasks. In the distance, a mountain range frames the scene, situating the camp within a rugged Indian landscape. The composition presents both the built environment of the camp and the surrounding natural terrain, offering a visual record of a specific moment in colonial-era India.
Subject & Meaning
The image likely documents a mobile base used by Major N. C. Martelli, a British political officer involved in overseeing princely states. The presence of several women—potentially family members, guests, or participants in a medical training initiative for Indian women—suggests the camp also served as a venue for social or humanitarian activities linked to Martelli’s work.
Technique & Style
Taken with a late‑19th‑century camera, the photograph exhibits the characteristic depth of field and tonal range of the period, emphasizing clarity in the foreground tents while rendering the distant mountains in softer focus. The composition balances human figures with architectural elements, employing a straightforward documentary approach rather than artistic embellishment.
History & Provenance
The photograph originates from the British colonial administration’s visual archives, where images of official stations and associated personnel were routinely recorded. It has been preserved within institutional collections documenting the British presence in India, and its attribution to Major Martelli’s camp at Mhow links it to records of his diplomatic and medical support activities.
Context
During the late 1800s, British political agents like Martelli played a pivotal role in managing relations with Indian princely states, often establishing temporary camps during field assignments. Concurrently, British societies promoted the training of female medical practitioners to serve Indian women, reflecting broader colonial health initiatives. The photograph thus illustrates intersecting aspects of governance, mobility, and gendered medical outreach in colonial India.
Artist & collection
Artist
Raja Lala Deen Dayal, famously known as Raja Deen Dayal) was an Indian photographer.














