Artwork
Timber Felling in Essex

Timber Felling in Essex is an ink print by Michael Rothenstein. It dates from 1946 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
Michael Rothenstein’s 1946 lithograph titled Timber Felling in Essex depicts a bustling woodland scene where laborers, animals and early steam machinery converge. The composition is rendered in muted earth tones, dominated by browns and greens, and is part of the Victoria and Albert Museum’s print collection.
Subject & Meaning
The print portrays a chaotic timber‑cutting operation: a rider on horseback brandishes an axe marked with a red cross, a worker wrestles a fallen trunk, and a woman in a long dress holds a stick nearby. Two large‑wheel steam engines emit smoke in the background, suggesting a moment of industrial transition within a rural setting.
Technique & Style
Executed as a lithograph, Rothenstein employs a limited palette and strong line work to convey texture and movement. The subdued coloration emphasizes the gritty atmosphere, while the inclusion of symbolic red crosses on the axe and wheels introduces a visual motif that may allude to rescue or medical connotations.
History & Provenance
Created shortly after World War II, the work entered the collection of the Victoria and Albert Museum, where it remains on display. Its acquisition reflects the museum’s interest in mid‑twentieth‑century British printmaking and the documentation of post‑war industrial landscapes.
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