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The image is executed in a dense, stippled manner, employing tightly packed dots and fine lines to build form. The border consists of a rectangular frame embellished with small circles and swirling motifs, framing the central scene. This approach aligns with cross‑hatching techniques, creating texture through repetitive linear marks.

Created circa 1924, the work entered the Museum of Ethnography’s holdings at an unspecified date, where it remains part of the institution’s permanent collection. Its attribution to Storck reflects the artist’s broader interest in merging sculptural sensibility with graphic experimentation during the interwar period.