鈴木春信画 六玉川 「壔衣の玉川 摂津の名所」|Kōromō Uchi Tamagawa|The Cloth-Fulling Jewel River, a Famous Place in Settsu Province (Tōi no Tamagawa, Settsu no meisho), from an untitled series of Six Jewel Rivers (Mu Tamagawa)

Harunobu employs the multi‑color nishiki-e process, layering inks to achieve subtle tonal variations. Fine cross‑hatching creates delicate shadows, while the use of line delineates the texture of the women’s robes and the wooden floor. The restrained palette and precise detailing reflect the artist’s mastery of both color printing and line work.

The print belongs to an untitled series known as the Six Jewel Rivers, each illustrating a different locale celebrated for its scenic or cultural significance. This particular image references the "Cloth‑Fulling Jewel River," a renowned spot in Settsu Province. The piece entered the collection of the Metropolitan Museum of Art, where it is currently held.

Produced during the mid‑eighteenth century, the image aligns with the ukiyo‑e trend of portraying ordinary life and regional landmarks. Harunobu’s focus on intimate, interior scenes contrasts with the more flamboyant depictions of courtesans and actors that dominated earlier prints, reflecting a shift toward refined, genre‑type subjects.