Artwork

Untitled

Untitled, by Suzuki Harunobu, ink, 1768
Untitled, by Suzuki Harunobu, ink, 1768

Untitled is an ink print by the Romanticist artist Suzuki Harunobu. It dates from 1768 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

This untitled woodblock print, created by Suzuki Harunobu around 1768, captures a serene moment from a ceremony. Executed in ink and color on paper, it stands out as one of the earliest examples of a full-color woodblock print.

Subject & Meaning

The print portrays an intimate scene of two women engaged in a traditional ritual. One kneels, adjusting her vibrant kimono sash, while the other assists, holding a mirror. The depiction emphasizes quiet, personal moments within ceremonial contexts.

Technique & Style

Harunobu pioneered the use of soft, layered color in woodblock printing, moving beyond the prevalent single-tone or limited-color designs of his time. This innovative approach imbues the scene with depth and immediacy.

History & Provenance

Dating to circa 1768, this work is a landmark in the evolution of woodblock printing, specifically within the ukiyo-e genre. Its exact provenance details are not provided here, focusing instead on its significance as an early full-color print.

Context

Emerging within the ukiyo-e tradition, this print reflects the genre’s focus on capturing everyday life and beauty. It precedes the widespread adoption of full-color techniques in later ukiyo-e works.

Legacy

As one of the first full-color woodblock prints, it influenced the development of subsequent ukiyo-e prints, encouraging the exploration of nuanced, multi-colored designs in Japanese woodblock printing.

Artist & collection