Who painted Untitled?

Untitled was painted by Utagawa Hiroshige II in 1850.

Where can I see Untitled?

Untitled is held by Metropolitan Museum of Art.

What movement is Untitled?

Untitled is associated with Romanticism.

Artwork

Untitled

Utagawa Hiroshige II , 1850

Untitled is an ink print by the Romanticist artist Utagawa Hiroshige II. It dates from 1850 and is held in the collection of the Metropolitan Museum of Art.

About this work

If you're interested in learning more about this style, you might want to check out the work of artist Utagawa Hiroshige II.

This painting shows a woman in a blue and white kimono standing in a garden. She is holding a fan and looking down, with her right hand on her chin. The kimono has a red lining and a long train, and her hair is styled in an updo with a blue and gold hairpiece.

In the background, there are several people sitting on benches or walking in the garden. There are also several trees, including a large pine tree behind the woman. The sky is a light blue with some pink and yellow clouds.

The painting is a beautiful example of Japanese art from the mid-19th century. If you're interested in learning more about this style, you might want to check out the work of artist Utagawa Hiroshige II.

Overview

Created in 1850, this woodblock print by Utagawa Hiroshige II depicts a solitary woman in a blue‑and‑white kimono within a garden setting. The composition balances the figure’s poised gesture with a backdrop of trees, benches, and distant figures, all rendered in delicate ink and color on paper. The work is part of the collection of the Metropolitan Museum of Art.

Subject & Meaning

The central figure wears a kimono trimmed in red and a long train, her hair arranged in an updo accented by a blue and gold hair ornament. She holds a fan, rests her right hand on her chin, and gazes downward, suggesting a moment of contemplation or private thought amid the garden’s public space.

Technique & Style

Executed in the traditional ukiyo‑e woodblock method, the print combines line work with layered pigments to achieve subtle gradations of sky, foliage, and textile pattern. The use of a limited palette—soft blues, pinks, and yellows for the sky, contrasted with the vivid kimono—demonstrates the period’s emphasis on harmony between figure and environment.

History & Provenance

Attributed to Hiroshige II, a prominent successor of the Hiroshige school, the print reflects mid‑nineteenth‑century Japanese visual culture. It entered the Metropolitan Museum of Art’s holdings through acquisition, where it remains catalogued as an example of the era’s printmaking and the artist’s continuation of his mentor’s aesthetic.