Who painted Head of an Old Woman (Visscher's Mother)?

Head of an Old Woman (Visscher's Mother) was painted by Cornelis Visscher in 1650.

Where can I see Head of an Old Woman (Visscher's Mother)?

Head of an Old Woman (Visscher's Mother) is held by National Gallery of Art.

What movement is Head of an Old Woman (Visscher's Mother)?

Head of an Old Woman (Visscher's Mother) is associated with Baroque.

Artwork

Head of an Old Woman (Visscher's Mother)

Cornelis Visscher , 1650

Head of an Old Woman (Visscher's Mother) is an ink print by the Baroque artist Cornelis Visscher. It dates from 1650 and is held in the collection of the National Gallery of Art.

About this work

Overview

Head of an Old Woman (Visscher's Mother) is a 17th-century print created by Cornelis Visscher around 1650, utilizing etching and engraving techniques to capture a detailed, black-and-white portrait.

Subject & Meaning

The subject is identified as the artist's mother, depicted in a contemplative pose with one hand on her chest and the other holding an indeterminate small item, possibly a glove or cloth. Her attire, including a low-set hat casting forehead shadows, adds to the serene, everyday portrayal.

Technique & Style

Visscher employed sharp, textured strokes to render the subject's wrinkled skin and clothing folds, achieving a near three-dimensional effect through fine linework. The print's depth is enhanced by the interplay of light and shadow, notably under the hat.

History & Provenance

Created circa 1650, the print includes a dedicatory inscription at the bottom attributing the work to Cornelis de Visscher and specifying the subject as his mother. Detailed provenance information is not provided in the available sources.

Context

This etching and engraving reflects the Dutch Golden Age's emphasis on detailed, realistic representations of everyday life. The choice of subject—a family member—also aligns with the period's tendency to celebrate personal, intimate themes alongside more grandiose subjects.

Legacy

While specific legacy details of 'Head of an Old Woman' are not outlined, it contributes to the broader appreciation of 17th-century Dutch printmaking and the intimate, personal works of Cornelis Visscher. Its technique and subject matter place it within the tradition of meticulous, observant portraiture characteristic of the era.