Who painted Landscape with Tobias and the Angel?

Landscape with Tobias and the Angel was painted by Antonie Waterloo in 1650.

Where can I see Landscape with Tobias and the Angel?

Landscape with Tobias and the Angel is held by National Gallery of Art.

What movement is Landscape with Tobias and the Angel?

Landscape with Tobias and the Angel is associated with Baroque.

Artwork

Landscape with Tobias and the Angel

Antonie Waterloo , 1650

Landscape with Tobias and the Angel is an ink print by the Baroque artist Antonie Waterloo. It dates from 1650 and is held in the collection of the National Gallery of Art.

About this work

Overview

Landscape with Tobias and the Angel is an etching by Anthonie Waterloo, dated to 1650. The print depicts a dense, rugged landscape with two figures on a path, set amidst twisted trees, rocky ground, and a stream, with distant buildings partially visible.

Subject & Meaning

The scene likely illustrates a narrative of guidance through challenging terrain, suggested by one figure leading the other. The specific identification with Tobias and the Angel implies a biblical allusion, though the emotional or thematic emphasis lies in the portrayal of navigation through adversity.

Technique & Style

Waterloo employed etching techniques, scratching lines into metal to achieve a highly detailed image. The work showcases meticulous rendering of natural elements, with intricate lines used to convey the texture of leaves, rocks, and the environment's overall density.

History & Provenance

Created in 1650, specific details about the print's history, ownership, or exhibition record before its current location are not provided.

Context

Produced in the mid-17th century, this etching reflects the Dutch Golden Age's interest in landscape and detailed etching techniques. It may also subtly engage with the religious themes common during this period, through its biblical subject matter.

Legacy

The enduring significance of 'Landscape with Tobias and the Angel' lies in its representation of Anthonie Waterloo's etching skill and the Dutch Golden Age's artistic preferences. Its detailed, realistic approach to nature contributes to the broader legacy of 17th-century Dutch printmaking.