Artwork
Reynard the Fox: Trapping the Bear

Reynard the Fox: Trapping the Bear is a print by the Baroque artist Allart van Everdingen. It dates from 1662 and is held in the collection of the Cleveland Museum of Art.
About this work
Overview
Reynard the Fox: Trapping the Bear, a 1662 print by Dutch Golden Age artist Allart van Everdingen, is part of The Cleveland Museum of Art’s collection. It represents a pivotal moment in the medieval Reynard cycle, a series of satirical animal fables.
Subject & Meaning
The print depicts a tense scene of deception: Reynard the Fox, poised to pounce, approaches an unsuspecting bear bent over, engrossed in inspecting the ground. This narrative, rooted in medieval satire, likely critiques cunning and gullibility through anthropomorphic characters.
Technique & Style
Van Everdingen employed chiaroscuro to heighten drama, juxtaposing dark, textured brushstrokes for the bear’s fur with softer, muted forest backgrounds. This contrast creates depth and captures the dynamic energy of the impending action.
History & Provenance
Created in 1662, the work reflects Van Everdingen’s specialty in etched landscapes and narratives, characteristic of 17th-century Dutch art practices. It is now held in The Cleveland Museum of Art’s collection.
Context
Part of the broader Reynard cycle, this piece engages with a tradition of satirical fables popular in medieval Europe, using animal characters to comment on human virtues and vices.
Legacy
While specific lasting impacts of this individual print are not widely documented, it contributes to the enduring popularity of the Reynard cycle and the appreciation of Van Everdingen’s technical skill in Dutch Golden Age art.
Artist & collection
Artist
Allaert van Everdingen (Dutch pronunciation: ; bapt. 18 June 1621 – 8 November 1675 (buried)), was a Dutch Golden Age painter and printmaker in etching and mezzotint.


















