Who painted Reverberations of Taiga, Volume 2 (leaf 14)?

Reverberations of Taiga, Volume 2 (leaf 14) was painted by Aoki Shukuya in 1704.

Where can I see Reverberations of Taiga, Volume 2 (leaf 14)?

Reverberations of Taiga, Volume 2 (leaf 14) is held by Cleveland Museum of Art.

What movement is Reverberations of Taiga, Volume 2 (leaf 14)?

Reverberations of Taiga, Volume 2 (leaf 14) is associated with Baroque.

Artwork

Reverberations of Taiga, Volume 2 (leaf 14)

Aoki Shukuya , 1704

Reverberations of Taiga, Volume 2 (leaf 14) is a work on paper by the Baroque artist Aoki Shukuya. It dates from 1704 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

Reverberations of Taiga, Volume 2 (leaf 14) is a portfolio piece created by Aoki Shukuya, a young artist during their apprenticeship. The work features a simplistic depiction of natural elements: rocks, trees, and mountains.

Subject & Meaning

The subject matter—rocks, trees, and mountains—served primarily as a medium for the artist to practice and refine techniques under the guidance of a master. The composition's simplicity underscores its pedagogical purpose.

Technique & Style

The piece exhibits a style characteristic of its time, mirroring the techniques of Shukuya's master, Ikeno Taiga of Kyoto. The rendering of natural forms reflects Taiga's influence, with an emphasis on ink and brushwork skills.

History & Provenance

Created during Shukuya's apprenticeship under Ikeno Taiga, this leaf from 'Reverberations of Taiga, Volume 2' is part of a traditional learning process where copying the master's style was integral to the artist's development.

Context

This work is situated within the traditional Japanese art apprenticeship system, where masters like Taiga guided students through meticulous copying to master ink, brush techniques, and compositional principles.