Artwork
Allegory on the Recovery of the King

Allegory on the Recovery of the King is an ink print by the Romanticist artist Francesco Bartolozzi. It dates from 1790 and is held in the collection of the National Gallery of Art.
About this work
Overview
Allegory on the Recovery of the King is a stipple engraving on wove paper created by Francesco Bartolozzi in 1790. The work commemorates the restoration of a monarch's health through symbolic imagery.
Subject & Meaning
The print depicts a symbolic scene with four figures: two robed women holding branches flank a central, crowned, robed man on a platform, and a kneeling woman with two children below. Latin inscriptions, including 'Saturnia Regna', allude to a mythical era of peace, framing the king's recovery as a return to harmony.
Technique & Style
Bartolozzi employed fine stipple engraving lines to achieve detailed shadows and textures, characteristic of his refinement of the crayon method, which emphasized subtle tonal variations.
History & Provenance
Produced during Bartolozzi's productive years in London, this engraving reflects his contributions to advancing printmaking techniques in the late 18th century.
Context
Commissioned to celebrate a king's recovery, the allegory taps into contemporary desires for royal wellness and symbolic expressions of national stability and peace.
Legacy
While specific lasting impacts of *Allegory on the Recovery of the King* are not broadly documented, it remains a testament to Bartolozzi's technical skill and the enduring use of allegory in 18th-century European art.
Artist & collection
Artist
Francesco Bartolozzi (21 September 1727 – 7 March 1815) was an Italian engraver, whose most productive period was spent in London. He is noted for popularizing the "crayon" method of engraving.















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